Themovie could use one, too. Contriving somehow both to dawdle and to rush, “Murder on the Orient Express” is handsome, undemanding, and almost wholly bereft of purpose. Green adds some heavy
Credits →MURDER ON THE ORIENT EXPRESS is a remake of Agatha Christie’s classic 1934 mystery novel. Consulting detective Hercule Poirot, mourning his wife’s death, decides to take a vacation. A friend offers him the chance to head to travel from Istanbul to Europe on the luxury Orient Express train. Poirot notices the odd behavior of a dozen fellow passengers. They include an actress suffering the pains of fading glory, a doctor with an attitude and a nervous uptight missionary. Poirot’s forced to deal with the passengers as a detective when another passenger with a shady past is found stabbed to death. It would seem wise to leave a classic movie and novel untouched. However, Director Kenneth Branagh who also plays Poirot has delivered an astounding, captivating movie. He combines vivid performances by an all-star cast with stunning imagery, a magnificent score and a fine screenplay that attains an emotional, moral resonance far too often lacking in major studio fare. MURDER ON THE ORIENT EXPRESS is a thoroughly entertaining movie, but it's marred by some foul language and a weak, antinomian ending where relativism trumps justice and CC, Ro, FR, LL, VV, S, A, DD, M Strong moral worldview involving a murder mystery and pondering what is true justice, with some overt Christian, biblical elements and allusions including talk of sin, there’s a priest character in the movie’s opening sequence, and one character has become a Christian missionary, plus forgiveness plays a key part in the climax, allusions to being judged by a jury of one’s peers, plus some Romantic elements and some false theology at the end, including an antinomian ending that undermines the morality taught earlier in the movie and there's a Muslim imam character in the opening sequence; eight obscenities "d" and "h" words, two strong GD profanities and two light exclamatory profanities, plus some coy but not graphic innuendoes and sneers by one playboy character, showing a cavalier playboy attitude toward relationships; some brief strong and light violence includes a couple of gunshots that only graze their victims rather than really hurting them, a couple fistfights that also involve attempts between the antagonists to hit each other with blunt objects, flashbacks to the kidnapping murder of a child, a flashback reveals how the murder occurred implying a series of stab wounds that are not shown as they happen, a corpse is shown very bloody with a chest cavity opened from afar and above, a woman pulls a gun on herself, but it has no bullet when she pulls the trigger, references to the murder of a 3-year-old girl that greatly affected her family and those around her, and the murder of a villainous victim is shown as still having a devastating effect on the people involved; no depicted sex, but man is with what is revealed to be a prostitute while making wisecracks implying they’re fornicating; no nudity; social drinking of alcohol shown throughout this movie set in the 1930s; some occasional cigarette smoking and a character seems addicted to barbiturates because of past trauma; and, lots of deception and duplicity among many characters to hide the truth about a murder from a private detective and the ON THE ORIENT EXPRESS is a remake of the Oscar-winning 1974 hit movie starring Albert Finney, Ingrid Bergman and Sean Connery and brings the classic mystery novel by Agatha Christie to even more vibrant life. It would seem wise to leave that classic untouched, but Director Kenneth Branagh has stepped up to deliver a movie that pairs vivid performances by an all-star cast with stunning imagery and a magnificent score with a screenplay by Michael Green “Logan” that attains an emotional resonance far too often lacking in major studio fare. Best of all, this MURDER has been shot with the option of being displayed in the full, now-rare glory of the 70mm format. The result is a dazzling work of art that is alternately fun to watch and hard to shake, the very definition of must-see filmmaking and worth every penny viewers pay at today’s excessive prices. Branagh holds the screen magnetically with his lead performance as Inspector Hercule Poirot, a man whose ace deductive skills have made him famous across Europe. After an amusing opening sequence set in Jerusalem where he reveals that it’s a corrupt police officer who committed a heinous crime rather than the priest, rabbi and imam who are about to be executed publicly, Poirot declares his need for a vacation. While the inspector sports an impressive handlebar mustache and a showman’s panache, he’s secretly saddened by the loss of his wife. A friend takes pity on his loneliness and offers him the chance to hop a luxury passenger train called the Orient Express for some rest and relaxation from Istanbul to Paris. Poirot quickly notices a string of odd behavior and quirks from a dozen of his fellow passengers, including an actress who’s suffering the pains of fading glory Michelle Pfeiffer, a doctor with an attitude Leslie Odom Jr. and an uptight missionary Penelope Cruz. He’s forced to deal with them head-on when the train is trapped by an avalanche while traveling through the mountains, and especially when Ratchett, a boorish passenger with a shady background, played by Johnny Depp, is found stabbed to death in his cabin. As Poirot tries to unravel the mystery of who killed Ratchett, he discovers no one is exactly as they seem, including the victim himself. Trying to deduce the twisting motivations across so many fellow passengers leads to a delicious array of twists that pay off with a walloping surprise. The flaw in the otherwise well made movie is that it does not fulfill its premise. The premise is to find the truth and bring justice, but at the end relativism trumps truth and justice. Therefore, the end of the movie is unsatisfying. Certainly, some viewers may have seen the original movie or read Agatha Christie’s popular, brilliant 1934 mystery novel, but Branagh and Green manage to give this ORIENT EXPRESS an impressively profound moral sense. As the discovery of how the murder occurred is revealed, the lush score by Patrick Doyle “Hamlet,” “Sense and Sensibility” attains a tragic undertone that helps attain the rare feat of portraying even a righteously vengeful murder in a way that makes viewers feel every anguished moment in taking of a human life, no matter how evil the victim was or how just his premature death is. Haris Zambarloukos, who also brought Branagh’s MOVIEGUIDE Award winning, wonderful live-action movie version of CINDERELLA to vibrant life, creates scenescapes here that look like Thomas Kincaid paintings come to life. Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer. What you listen to, watch, and read has power. Movieguide wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support. You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you. Movieguide is a 501c3 and all donations are tax deductible. A New Way To Experience Family Night A family devotional that combines your favorite movies with Gospel truths! An exciting and fun way to grow spiritually and together as a family Download for FREE right now and transform your family movie nights Enter your email to download your free devotion for families! "*" indicates required fields Share
44At least you remember bad movies. Average films like this are instantly forgettable. I know that these big cast murder mysteries generally lead to what’s essentially just cameos from most people. But Kenneth Branagh’s adaptation of Agatha Christie’s novel by the same name underutilizes almost every character outside of Hercule Poirot (Kenneth Branagh).
Murder on the Orient Express Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience Prev Next While this take on Murder on the Orient Express is destined to exist as a Sunday afternoon matinee picture people will throw on and bask in, there is unmistakable depth and humanity inside the confectionary of its exterior and its big-budget staging. Full Review Original Score Mar 23, 2022 What remains most pleasurable about Murder on the Orient Express is the stylish and classical quality of the storytelling; it's an old-fashioned sort of murder mystery in more than the obvious ways. Full Review Original Score 3/4 Mar 17, 2022 A solid but slightly unremarkable bit of detective fiction. Full Review Original Score 3/5 Dec 29, 2021 With a glorious mustache that must be seen to be believed, Kenneth Branagh slips into the role of Hercule Poirot quite comfortably. Full Review Original Score B+ Aug 24, 2021 ...overall, Murder on the Orient Express should've been more engaging with a sense of urgency... Full Review Dec 23, 2020 To be honest, Branagh's stately direction means the mystery itself is a bit of a plod. Even if you don't already know whodunit. Full Review Dec 20, 2020 The beauty of this story is that everything seems coincidental or random, as if a bit of bad luck has resulted in an unsolvable slaying. Full Review Original Score 6/10 Dec 5, 2020 Agatha Christie deserves a better remake... Full Review Original Score 2/5 Nov 5, 2020 It's one of those films that feels completely and utterly unnecessary. Full Review Original Score Sep 17, 2020 We have charismatic actors dressed fashionably, wrapped in a story full of intrigue, and accompanied by a production design that feels lavish and detailed. Full Review Original Score B+ Jul 18, 2020 Filmed in glorious 65mm, Murder on the Orient Express is a lush adaptation in the grand tradition of those old Hollywood films that boasted "an International All-Star Cast." Full Review Jul 6, 2020 The journey begins well enough, but the train jumps the tracks and collides with a lifeless procedural that's more Kenneth Branagh vanity project than murder mystery. Full Review Original Score C Jul 1, 2020 It was fun. I like this kind of movie. Full Review May 13, 2020 This movie was silly and fun, and I had a good time. Full Review May 13, 2020 The actors here try too hard to flesh out roles that are little more than stock types. Full Review Mar 25, 2020 Overall Murder on the Orient Express is a worthwhile bit of fun. Fans of the book might will find it to be a slick, dutiful retelling of a classic, while newcomers will certainly be entertained, and may even be inspired to dip into Christie's literature. Full Review Mar 24, 2020 As a pure mystery, Murder on the Orient Express is just okay. But as a Branagh acting showcase, as a handsomely directed film, and as a nostalgic reminder of more elegant times, it's a triumph. Full Review Feb 20, 2020 If this is the quality of work he is able to produce on his first attempt with [Agatha] Christie's material, then [Kenneth] Branagh quite possibly has the next great franchise in his clearly capable hands. Full Review Original Score 4/5 Feb 15, 2020 Her Agatha Christie stories keep everyone guessing until the end, and no matter how the story is presented, it is always with a dramatic flare and a big reveal. Full Review Feb 4, 2020 When the big reveal finally happens, it is played out in grandiose bravura that most of us crave in a big production such as this. Full Review Original Score 3/4 Jan 24, 2020 Prev Next Do you think we mischaracterized a critic's review?
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Murderon the Orient Express: Directed by Kenneth Branagh. With Paapa Essiedu, Yassine Zeroual, Asan N'Jie, Michael Rouse. When a murder occurs on the train on which he's travelling, celebrated detective Hercule Poirot is recruited to solve the case.
Ata recent press screening of Murder on the Orient Express, we were told that we’d be seeing the movie in glorious 70mm, a nod to the period opulence of the film and its setting. And it was in
Legendarydetective Hercule Poirot is resurrected once again for the big screen in the latest adaptation of Agatha Christie’s 1934 classic, “Murder on the Orient Express,” a pleasantly diverting mystery drama featuring an impressive cast that includes Kenneth Branagh, Johnny Depp, Josh Gad, Willem Dafoe, Penelope Cruz and Michelle Pfeiffer. In addition to starring as
Watchedto prepare for Death on the Nile. What a cast! I kept drifting off midway in parts through because after Johnny Depp dies this movie gets dull fast (spoilers). And I was annoyed by the constant overhead shots that Branagh liked to use here. The cast isn't bad or awful, but the movie is painfully mediocre and uneventful. The CGI train derailment scene must have been
Reviewby Terry Staunton. The challenge in filming one of the world’s best-loved whodunnits is keeping viewers’ attention while telling a story they already know.
Murder she wrote, and Hollywood loved her for it. Or they used to, at least — plundering Agatha Christie’s vast catalog of posh, stabby whodunits for
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murder on the orient express 2017 movie review
